Rumblegut

Just recently I did both a reading and a bookstore signing of my book, Roll Up the Streets. I’ve been giving it some thought as to which is better for an author to do. I think most people would assume, and I always have, that a reading is better than a signing. You get to sit down with a group of interested listeners, read a couple of chapters—I did a bit of acting with props and a squeaky voice I worked on, don’t ask why I gave my villain a squeaky voice—interact with the audience and actually see and hear their reaction to your story. My reading at the Tinman Too bookstore went very well and I got to hear the laughs in person. That’s always rewarding for any writer used to working in isolation. I also spoke with a couple of 11-year olds, my core audience, both of whom wanted to be writers. So as well as being entertaining, I could also encourage future writers. I also managed to sell a few books. All in all it was as good of an experience as I expected. The signing was a bit diffe...

Book readings are the best way to see the reaction of an audience to your work, especially for a children's writer. Reading to a critique group of adults is great for the writing process, and scanning a review once in a while, well, that's a mixed bag. Too many reviews are much too brief to be of any help. But reading to a group of kids can tell you a lot about how your intended readers will respond to your story. I wrote my book, Roll Up the Streets! while reading it a chapter at a time to fifth-graders at Holmes elementary school in Spokane, Wa. Every Friday I'd sit down over lunch and read a new chapter while watching the kids chomp on whatever horrifying public school lunch was offered that day. The whole idea of centering my story around evil corndogs came from those lunch readings as well as half the gross passages in the book. I owe a lot to those kids. I'm holding a book reading on Oct. 9 at the Tinman Too children's bookstore in Spokane on Oct. 9. It...